
Mark S. Doss as Sarastro. Sarastro's entrance from Opéra de Nice's production of Die Zauberflöte (The Magic Flute)
Local Erie resident, Mark S. Doss has come a long way since his first dream of being a baseball-playing priest. Along with having a 2010 summer full of leading roles in successful European productions, this bass-baritone is a global opera star and Grammy Award winner.
Although Mr. Doss is currently preparing for his role of Jochanaan in the Teatro Real production of Salome in Madrid, Spain, he was able to answer a few questions I had about his triumphant and much-loved opera career.
Q: When did you discover your love in this area of fine arts?
A: Opera is the “plural” of opus, which means “work”… I have always been known for wanting to do “every” facet of whatever I am doing. When I played basketball, I wanted to be able to dribble well and to jump the highest. In tennis, I wanted to be able to “serve and volley” and to play from the baseline. In baseball I was a “switch hitter”… When I tried out and was accepted for the summer program in Cleveland dedicated to training in the arts, it was like a “magnet” attracting me to the opera world. We received training in acting, dance and voice, and my vocal “projection” got me the “lead role” as Daniel Gale from Kansas in the “Wiz That Is”. We did over 20 performances that summer, and so you might think that this kind of preparation and training would have led me to “musical theatre” and not opera. Yet, the following school year I began my life in the Catholic Seminary (as well as undergraduate school) at St. Joseph’s College, and wanting to continue my vocal training (for my ministry), I was initially given “operatic” arias to work on. Having watched at least a couple of Mario Lanza movies when I was growing up I was very inspired by him, with his charisma and beautiful voice — so that’s what I had to “work through” in order to find my “true” vocal calling as a “bass-baritone”… Once that was done, I entered a local vocal competition and next sang a Metropolitan Opera District audition, where I was among the three winners who got sent on to the Regional Finals in Chicago. At age 21, I was pretty much “hooked” on continuing to sing opera.
Q: Was this always your dream?
A: My dream was to be a “baseball playing priest” because I had a passion for baseball, and having lived next door to the rectory; I grew up admiring the priests and wanted to be like them.
Q: How did you attain this career?
A: The career pretty much attained “me”. I was a sociology major at St. Joe’s, but took enough music classes to have a “double” major, so I graduated with a B. A. in both. I still only took my Graduate Exams in sociology, thinking I could study voice “on the side” with a “practical” Graduate Degree under my belt. Because I thought it wouldn’t hurt, I auditioned at both the University of Illinois and Indiana University (the latter being the largest music school in the world, with the biggest vocal program) and I was amazed that they were extremely enthusiastic about the possibility of me attending their institutions. At Indiana I sang “six major roles” in my 6 semesters there, and afterwards auditioned for the Santa Fe Opera Apprenticeship Program, was accepted, and from there was taken into the ensemble of the Lyric Opera of Chicago. The day after I finished my “2 year contract” with Chicago, I flew to New York to do an understudy role (contract) at the Metropolitan Opera. My career began then and I have never had to look back.
Q: Did you have any difficulties along the way? If so, what were they?
A: What may have seemed like a difficulty at first has always become a “blessing” for me in the end. I am “extremely” inspired to work “3 times” as hard after a setback, so not getting the initial nod from the Vienna State Opera to be in their ensemble program probably brought more opportunities in Chicago.
Q: What do you like best about performing on-stage? What do you like least?
A: During a Spring Festival Concert in my junior year at St. Joe’s, I was singing solos from Fiddler on the Roof, and other such productions when it hit me “as I was singing” that I was where I was meant to be. I felt like I was totally “at home” on the stage. The ability to express my innermost feelings through song and to hopefully inspire others with my words and music is the greatest privilege I could ever have been given. I do not like being “unprepared” when I am on stage. I am “constantly” working hard on perfecting roles, even after I’ve sung them many times in the past.

Mark S. Doss as Amonasro (pictured in duet) in Aida from La Monnaie in Brussels.
Q: What has been your favorite song to sing?
A: My favorite song would have to be something that expresses my faith in God, which could be “I’ll Walk with God” from the Student Prince, or “Sperate o figli” (Hope o children) from Nabucco.
Q: Do you like being a bass over a tenor? Why or why not?
A: As a “bass-baritone” I get the “best” of both worlds! I get to sing those beautifully rich “low notes” that so many people love to hear, and because I have a very easy top extension to my voice, I can access the notes that tenors occasionally sing – exciting top G’s and A flats. But truly, the high and low “F#’s” of a good bass-baritone are simply to die for.
Q: What is your favorite or most memorable performance?
A: Singing the role of Jochanaan (John the Baptist) in Salome at La Scala in March of 2007 was extremely special, but my La Scala debut in Milan as the Toreador in Carmen (July 2004) is difficult to top. Also, singing the Title Roles of Mefistofele in Frankfurt, Germany, Figaro in “Le nozze di Figaro” and Giulio Cesare (Julius Caesar) in my home town of Cleveland were extremely special events.
Q: What was it like winning a Grammy Award? How did you feel? What did you think?
A: I only knew about Grammy Awards going to “pop” singers, so I was pretty surprised when I received notice of a “Grammy” nomination for Semele. I had a contract far away from where the presentations were being held, so I didn’t give it a second thought. I may have been watching that year just by accident, and never even continued watching to see who would receive the “Classical Awards”. Again, the nomination didn’t really register for me, so when I got the notice through my agency that Semele had won the Grammy, and I would be sent one – or it could be presented to me by a company I was working for at the time — I was TOTALLY floored!!! I still pull it out at times and just stare at it. It is a great feeling to have one.
Q: Were you at the Grammy’s when you won your award?
A: Unfortunately, I was not at the awards, and to this day I do not know who was there and who actually accepted the award.
Q: What is the best thing about performing overseas?
A: Being able to speak different languages is a “blast”, and I’m constantly studying them while I’m here, because it is different to converse with someone in their native tongue as opposed to always using English. Seeing the sites while I’m not performing is pretty special, such as The Eiffel Tower in Paris, The Brandenburg Gate in Berlin, or Big Ben in London. Singing on the stages of the most famous and beautiful opera houses in the world is also quite a thrill.

Mark S. Doss as Jochanaan (John the Baptist). Jochanaan's entrance from Teatro Regio Torino's (Turin's) Salome.
http://www.marksdoss.com/schedule.php
http://www.teatro-real.com/Programme/Current%20season/By%20dates/






seen and felt. The city’s energy is simply undeniable, especially during the holiday season.


of being on Fifth Avenue was just being able to be a part of the Christmas experience and viewing the decorations on the boulevard of fashion in New York City.
earlier in the day, it was so much more striking at night when all the lights were lit and the star twinkled bright on top of the tree.
The time is near, Christmas will soon be here and Black Friday is just around the corner. But with tons of sales going on already, is it worth getting up at 4 a.m., battling traffic and beating through other customers just to get the greatest deals?
Another important piece of research involves clipping coupons. As I said before, many coupons have already begun appearing in Erie mailboxes and front steps. Don’t overlook them! You may be surprised by how many coupons you can get your hands on, which makes bargain shopping that much better. You may even find just what you’re looking for in a coupon.
Twinkling lights, bright shiny stars, decorations galore, and a jolly white-bearded man in a signature red coat; all of this and more can be found at the festive Saint Vincent Auxiliary Festival of Trees on November 26-30 at the Ambassador Conference Center on Peach Street.
Founded in 1991, Mercyhurst North East is a small, quiet, community college that opens its doors to those wishing to fulfill lifelong dreams, further their education, and have a place to stay when they just can’t carry on in the afterlife.
From the outside, the restaurant is easy to spot with its red and white paneled exterior. Displayed above the entrance is a red eagle wearing a crown, which is a part of the traditional Polish flag.

